Hands, Foot, Heart and Soul
Guiding color into fiber of rough cotton my inspiration takes form.
With hands gripping layers of fabric, twisting and turning under a fast, sharp needle, foot on the pedal; I drive a fine tuned engine laying roadways of thread to tell my story.
Painting is my heart.
Thread is my soul.
My inspiration comes from line and form in nature that I capture by camera. The challenge is presenting my inspiration as engaging textile art created with watercolor paint, fabric layers and thread.
This media is considered textile, or fiber, art. It is a watercolor painting on cotton, under laid with quilt batting and over laid with hand manipulated free motion embroidery. This technique imparts texture through many layers and color from both paint and embroidery thread. Click to go to portfolio introduction. Or, click to go to commissioned textile art details.
About Me and My Art Media
Always behind dozens of careers was a love of creative work and sewing, whether garments or decor; and a love of photographing nature and experimenting with paint.
When I found and fell in love with watercolor painting,
it just seemed natural to put it all together.
My goal is to present common images in an uncommon way, with a wink toward realism. How “real” is fabric and thread in nature? It’s not. But, neither is acrylic, oil paint or canvas. My point is, when looking into our natural surroundings we see textures we want to touch, to connect with. I strive for touchable art to connect with.
My Kind of Framing
This textile art is also framed by me using conservation techniques: air space in the frame and air permeable backing paper plus conservation glass to protect my art from UV rays and dirt, whether at art shows or in your home. Equally important is how watercolor paint bonds to the fabric; and preparing the wood frames. You will see that I use farmhouse basswood frames. These are USA made solid wood frames that have a deep enough rabbet for my textile art, are light weight and inexpensive. The frames take well to staining in any color to suit the art or your desires. Museum Glass provides the best UV protection and clarity to see thread detail. So, if there is any glass over my art, it has to be Museum Glass by Tru-Vue.
The spacer mats I use are acid free paper. Some have have been painted or sealed to protect them from dirt.
In my own home, I prefer to display my art without glass for the full textual effect. Sunny areas are reserved for reproduction prints of favorite art pieces I have sold and other less valuable or replaceable works. As I have more art than my walls can hold and more than what I create, they are moved around frequently to keep them from “spot” fading. I do keep treasured photographs under glass and away from window light.
How long is archival? I don’t believe anyone really knows. I believe I am utilizing archival techniques in my art creation and helping to preserve its life by my framing techniques.
My artwork is a thick composite of textiles and thread. It is wrapped around acid free board made specifically for needlework and secured on the back with two kinds of archival tape. The surface of the textile art has already been heat treated to bond the watercolor paint, even more, to the fibers of the cotton. The surface is sprayed with a Scotchgard-like product to protect the fabric from future handling. While cotton fabric may not last forever, the addition of paint and polyester thread may extend that lifespan. The batting is polyester fleece because it will not retain moisture should humidity ever enter the frame. If framed with glass, the air space between the art and the glass, as well as the air permeable backing paper will protect the art and extend its life. We have all heard that textiles need to “breathe.”
To Cover with Glass, or Not
As the owner of any textile/fabric/fiber art, you are tasked with deciding: do I leave it open and dust it or do I glass it in so it doesn’t fade and keep it clean? The answer will lay in where the artwork is hung. Cover with UV glass if its in a sunny room or entry. Leave it uncovered if its in a normally dark bedroom or hallway; or, somewhere in between. By the way, the best tools for dusting art are a soft mushroom brush or a soft vacuum attachment.
Sun and humidity are the enemy of art, the paper mats and the frame. All artwork, not just mine. I understand your master bath needs great art. But, if you can not spray it with water, it doesn’t belong in the bathroom or on an open porch. That is, unless you are accepting of the fact the art piece may mold or warp and its life will likely be shorter.
Select photographic prints of my old and new art are available in my Shop.
Contact: via my studio phone: 863-874-4316, or via email at Jan@JanetHermanArt.com.